"John Richard Petersen's warm and wonderful performance as Howard Cunningham
serves as a great tribute to the late Tom Bosley, who created the role."
http://stagescenela.com/html/happy_days1.html
The show is full of great one-lid Cunningham (John Richard Petersen) says to his wife, ?What could be more
stable than a college dorm room in the 1960s.?? It is such a simple line, but
the irony of it and the naïve look on Petersen's face makes the line especially
zingy.
http://www.neontommy.com/news/2010/10/happy-days-are-here-again
with FONZIE (Derek Keeling) and PINKY (Misty Cotton)
MY BEST REVIEW from HAPPY DAYS....from Cathy Silvers,
who played Jenny Piccolo on the Series, and with whom I worked on the TV Movie
HIGH SCHOOL USA...Cathy Silvers January 17
"You were a brilliant Mr. C!!!!!!!!!!!! I loved your performance!"
1776, The Musical
Musical Theatre West, Long Beach
MTW's truly impressive revival turns out to be one engaging,
eye-opening history lesson. An unexpected surprise, the show, that tells the
story of the signing of the Declaration of Independence, is a riveting,
edge-of-your-seat drama with plenty of heart and soul and a generous amount of
genuinely comical moments. It's unquestionably brilliant, intensely affecting,
and deeply moving—from its rousing beginning to its glorious end.
BEST ACTORS
ENSEMBLE (REGIONAL THEATER)
1776, The Musical
Musical Theatre West, Long Beach
Backstage Garland Award Best
Performance in a Musical:
StevenGlaudini, "1776,"
Musical Theatre West at the Carpenter Performing Arts Center
1776: 100% – Sweet |
SWEET
And if the tone seems a bit self-congratulatory or historically
reductive for some tastes, credit director Nick DeGruccio’s
impeccable production and a flawless ensemble for so ably selling
Stone’s long-winded book and Edward’s mostly undistinguished
songs.
Bill Raden – LA Weekly
SWEET
Opening less than a week past Independence Day, this powerful
revisit to Sherman Edwards’ stirring historical musical provides a
perfect celebration of the patriotic holiday. The
librettist-songwriter’s 1969 opus is as much a play as a musical in
its meticulously researched dramatization of the final days leading
to the U.S. Congress’ drafting, approval, and signing of the
Declaration of Independence. Director Nick DeGruccio’s magnificent
rendition demonstrates that fine acting is a crucial requirement in
certain musicals.
Les Spindle – Backstage
SWEET
American history comes to life on the musical theater stage as never
before in 1776, the Broadway smash now getting a splendid
star-studded revival at Musical Theatre West. With Steven Glaudini
reprising his 2004 Ovation-winning performance, Tami Tappan Damiano
making a rare return to the musical theater stage, a cast filled
with Broadway and regional theater vets and several talented
newcomers, and direction by the brilliant Nick DeGruccio, this
production is so all-around stupendous that all it lacks is the
intimacy that a smaller venue would provide.
Steven Stanley – StageSceneLA
SWEET
But yet, almost immediately, those fearful first impressions
wonderfully faded away as soon as the curtain rose to reveal a stage
full of men, of varying shapes and sizes, dressed in impeccable
18th-Century period garb. That feeling of wonder and euphoria never
once went away for the rest of the evening. What could have been a
long, excruciating theatrical exercise, is instead a riveting,
edge-of-your-seat drama with plenty of heart and soul and a generous
amount of genuinely comical moments. Musical Theatre West’s
production of ’1776′ (with performances running through July 25) is
unquestionably brilliant, intensely affecting, and deeply
moving—from its rousing beginning to its glorious end. This is one
thrilling stage experience that must be seen and heard, and is a
fitting season finale to this regional theater’s incredible 57th
season.
Michael L. Quintos – BroadwayWorld
SWEET
With nary a flaw the production pirouetted with agility between the
sublime and the ridiculous. The result was a compelling, thoroughly
enjoyable story that fills out what we know from third-grade history
classes, namely, the men convened in Philadelphia were just as much
Joe Sixpacks as they were Founding Fathers. Though politics may have
supplanted baseball as our national pastime, the production’s cheeky
tone and racy revelations recall Jim Bouton’s groundbreaking book,
Ball Four, that came out about the same time the production debuted,
a book that told the real story of Major League baseball. The
correlations between Congress President John Hancock and Baseball
Commissioner, Bud Selig feel more than coincidental.
James Scarborough – What the Butler Saw